
SEARS
& CONNER CONTINUE THEIR BERLIN CD SERIES WITH SONGS WRITTEN FOR
FLORENZ ZIEGFELD

Oakton
recordings announces the third volume of the Irving Berlin series
by Benjamin Sears & Bradford Conner, with "She's So Beautiful," a
collection of songs written by Berlin for shows produced by the great
showman Florenz Ziegfeld. Berlin is famous for his contributions to
the 1919 and 1927 editions of the Ziegfeld Follies, but he also produced
songs for other editions of the Follies along with many other Ziegfeld
productions. Continuing a Sears & Conner tradition, the CD has eleven
first-time recordings.
Events surrounding this
release include a special performance by Sears & Conner for The Ziegfeld
Club in New York City at a special invitation-only Christmas party
on December 16, 2001 at Kennedy's Restaurant. The Ziegfeld Club's
membership includes the few remaining Ziegfeld Girls, and the relatives
of former performers and others associated with Florenz Ziegfeld;
membership also includes people who have an interest in the Ziegfeld
era and musical theatre, and women who perform in present day cabarets.
The club engages in charitable work for indigent women in show business
as well as annual donations to the Actor's Fund of America, Broadway
Cares/Equity Fights AIDS and the non-sectarian Episcopal Actors' Guild.
Ziegfeld
Follies songs on the CD include a Fanny Brice specialty entitled "Grizzly
Bear" which stared life as a piano rag by George Botsford (given its
first solo recording here), with words added later by Berlin for the
1910 Follies. From 1911 comes the Bert Williams specialty "Woodman,
Woodman, Spare That Tree!" (written with Vincent Bryan); the 1912
Follies is represented by another premiere recording, "A Little Bit
of Everything;" and "In Florida Among the Palms" comes from 1916 edition.
The fabled 1919 Follies is represented by four songs, "Mandy," "You'd
Be Surprised," "A Pretty Girl is Like a Melody," and "I'd Rather See
a Minstrel Show." Featured from the 1920 Follies is "Tell Me Little
Gypsy," a song called by Alec Wilder "... pure melody, a perfectly
beautiful melodic line."
In 1927 Berlin became
the first songwriter to write a complete Follies score, and featured
are two songs from that historic score. One is a first-time recording,
"Rainbow of Girls" (a tribute to the earlier "A Pretty Girl is Like
a Melody"); the other is the energetic "Shaking the Blues Away," originally
written for Ruth Etting, but now best remembered for Ann Miller's
tour-de-force tap routine in the film Easter Parade.
From other Ziegfeld productions
come "Alice in Wonderland" (Century Girl, 1916, receiving a first
recording); two songs from 1917s "Dance and Grow Thin": the title
song which is a piano rag by George W. Meyer (the solo rag receiving
a first recording) with words added by Berlin, and "There's Something
Nice About the South" (also in a recording premiere). "I'll See You
in C-U-B-A" was featured in the 1919 Ziegfeld Midnight Frolic, a show
which took place on the "roof' of the New Amsterdam Theater after
the Follies performance had closed downstairs. "Blue Skies" is perhaps
one of the most infamous songs of the Berlin/Ziegfeld collaboration
and of Berlin's songwriting career. It was interpolated at the request
of the show's star Belle Baker into "Betsy," a show which otherwise
had a score by Richard Rodgers and Lorenz Hart, without the knowledge
of Rodgers & Hart. Amazingly, Berlin's relationship with Rodgers &
Hart survived.
Miscellaneous non-Ziegfeld
songs from 1919-1921 include four premiere recordings. One of these
has a special musical interest, the 1919 "That Revolutionary Rag."
This was the song that served as George Gershwin's "audition" to be
Berlin's musical secretary. Gershwin gave his own twist to the accompaniment
which did not produce ire from Berlin, but rather the advice that
the younger man step out on his own and pursue songwriting. "Given
the fame of this story and the charm of the song, it is surprising
that others have not taken it up," says Sears.
Other non-Ziegfeld premieres
are "Eyes of Youth" (1919); "Nobody Knows (and Nobody Seems to Care)"
(1919); and "But! She's Just a Little Bit Crazy About Her Husband
- That's All" (1920). Rounding out the CD is "Home Again Blues" (1921).
Benjamin Sears & Bradford
Conner ("whose research on the subject of the American musical is
legendary" Ü Theatre Mirror) have been performing and recording together
since 1989 and in that time have established themselves both as entertainers
and as leading historians and researchers of American song. Their
discography features many previously unrecorded songs by Irving Berlin,
the Gershwins, and E.Y. Harburg. "Come On And Hear! - Early Songs
by Irving Berlin," was hailed by the Cabaret Hotline as a "little
gem [which] will add much to anyone's collection" and "Keep On Smiling"
(covering the period 1915-1918) was cited by Sheridan Morley in BBC
Music Magazine. "Delishious - Lyrics by Ira Gershwin" (the only Ira
Gershwin release for his 1996 centenary) was listed by The Boston
Globe as one of the "Best CDs of 1995", and is cited in The Gershwin
Years (Jablonski and Stewart, 1996 edition) saying, "Sears and Conner
feature the words in true, Ira Gershwin-approved style: clear, musical,
and no tricks." Paired with "Delishious" for the Gershwin centenaries
is "Sweet and Low-Down - Songs by George Gershwin." "Beyond the Rainbow
- Lyrics by E. Y. Harburg" is the most comprehensive collection of
his songs on record. In 2000 they produced two new releases: "Noel
and Cole - Together with Music" with duo Valerie Anastasio & Tim Harbold
(an Amazon.com Top 100 in the Cabaret category, and called "a felicitous
pairing all around" by Show Music magazine), and their first "live"
recording, "Rest You Merry - A Holiday Cabaret."
Their Berlin research
and performances includes a 2000 revival of the original score and
script of Berlin's first Broadway score, "Watch Your Step." In 2001
they reconstructed and produced the first revival ever of the Dietz
& Schwartz classic revue from 1931, "The Band Wagon" ("Sears & Conner
did all the work and the audience had all the fun" Ü Boston Globe).
Sears & Conner perform
regularly in New England, New York, Los Angeles, and at many venues
throughout the country. They have been featured on the nationally
heard radio show "The Connection," and have written articles for and
been featured in Sheet Music Magazine. They have also written for
American National Biography and have contributed to forthcoming books.
For more information and
to purchase the CD, check the website http://www.benandbrad.com/.

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